Volcano Swallows by Nicholas Annick and deep blue-grey — a

and deep blue-grey — a compressed

using tonal contrast to articulate depth and silence

Buddha's Standpoint Nr 3 is drawn from af Klint's Paintings for the Temple series

Kestnermappe: Komposition belongs to Moholy-Nagy's celebrated Kestner portfolio of the early 1920s — a series of lithographs that brought Bauhaus constructivist ideas to a broader audience through the medium of print

Toucans In The Jungle 3 places two vivid tropical birds within a dense

Volcano Swallows by Nicholas Annick and deep blue-grey — aVolcano Swallows places darting birds against the raw drama of an erupting landscape. Nicholas draws on retro inspired line work and vivid, graphic colour to build a scene that pulses with energy and movement. The composition is playful yet commanding foreground figures cutting across a turbulent volcanic backdrop in a style that recalls vintage travel posters filtered through a contemporary sensibility. Tension and delight exist in equal measure.