Navajo: Portrait of a Nation by Joel Grimes. Untitled (Friends of Photography) The "Statement": Each photographer provides

The "Statement": Each photographer provides a brief autobiographical or philosophical text

The book chronicles how Hare helped define the role of the on-the-scene "news photographer" at the turn of the twentieth century

Publication also includes Director's Statement by James L

The Historian as Maker: The central premise of the book explores Newhall's dual identity

and the tonal transitions

Navajo: Portrait of a Nation by Joel Grimes. Untitled (Friends of Photography) The "Statement": Each photographer providesWestcliffe, 1992. Foreword by Stuart L. Udall. Hardcover with protected dust jacket, large heavy book, 192 pages, in black cloth, ex library, rear flyleaf scuffed where card pocket removed, otherwise fine fine, no spine labels on dust jacket or rubber stamps anywhere. Text and sumptuous color and black and white formal portraits of Indigenous Americans and landscape photographs on heavy weight paper by Joel Grimes, who majored in photography at the