Stephen Bambury | Firenze (7/8) eames chairs since the late 1980s Sylvie

since the late 1980s Sylvie Fleury has been confronting the mechanisms of the production of desire and construction of value

including the 2013 remake of “When Attitudes Become Form” in Venice

expanded edition of Gregory O'Brien's book Always Song in the Water includes a chapter about the exhibition of the same name – shown at the New Zealand Maritime Museum – featuring works of over 40 artists and several new works commissioned for the show

and is comprehensively informed by a vivid foreword from Philip Hoare

and the much larger scale that characterised his later years continued after ill-health prevented him painting and he produced abstracted shapes cut from coloured paper

Stephen Bambury | Firenze (7/8) eames chairs since the late 1980s SylvieAbout Stephen Bambury Bambury's dual explorations of art and architecture from a diversity of historic periods and cultures, and his productive preoccupation for over forty years with the square, circle and cross has yielded a body of work that mines rich seams, fusing intellectual and emotional content with material form. The central importance of materiality to Bamburys practice is underpinned by comprehensive technical investigation and mastery of