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these typefaces go beyond aesthetics and achieving marketing objectives to build value for the brands over the long term
and the first to explore the decorative realm of a jewellery designer after the magazine’s longstanding relationship with prét-à-porter designers was first diverted in 2013 by the curation of British milliner Stephen Jones
Anton Vidokle
The project explores the possibilities and limitations of digital formats for exhibiting and negotiating architecture (not only) in view of the current pandemic
Barbara Buser
The Passenger 2022 - Paris activism these typefaces go beyond aestheticsThe Passenger is a book magazine that brings together long reads, investigative journalism, literary reportage and narrative essays to tell the life story of people and their country. The changing culture, the development of a countrys identity, the debates, the issues, the problems and the wounds, all fragments that together form a wide ranging picture.
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