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temps gris) by Claude Monet is one of a small series that he painted in a rare vertical format to capture the spectacular effects of late afternoon light upon his beloved waterlily pond
but a visual declaration for neo-impressionism
working-class women who served as his subjects during this time
including Café Terrace at Night (painted earlier the same month) and The Starry Night
Venice (1881) by Pierre-Auguste Renoir depicts Saint Mark's Basilica (Basilica di San Marco) as well as the people and pigeons on the piazza
Forest Interior by Moonlight ☲ Friedrich ☴ Art Print Paper Finish:Smooth Matte temps gris) by Claude MonetForest Interior by Moonlight (1830) by Caspar David Friedrich contrasts the struggles of human life with the beauty and solace of nature on a moonlit night. It depicts a forest landscape where a man and a woman have taken refuge in a cave and are preparing a meal over a fire. A white full moon lights a forest of tall pines and a ravine covered with tree stumps. The blue moonlight does not seem to reach the shadowy foreground where the fire illuminates
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